Most of the light, including the center hot spot, was aimed at the silver reflector. I mounted a parabolic reflector fitted with a 30 degree grid behind my model (see below) and skimmed the edge of its light over the back of her head. Larger reflectors are more efficient and cover more area than smaller ones.Īside from the background, the first image (below) was lit with only one light. In the studio, silver reflectors can act as either a main light or as fill and will impart a “certain something” to an image that’s visually intriguing but subtle and difficult to pin down.īear in mind when working with any reflector that the size of the reflection is directly related to the size of the reflector. So, what about silver? When shooting outdoors, using a silver reflector can produce a look that’s a bit harsh, as the silver surface throws a “snappy” and more contrasty light than white (of course, the decision to use it is purely a matter of taste). However, traditional gold reflection on digital images can sometimes look a little weird. Gold reflectors are often used to warm up skin tones, especially when working outside. White reflectors are usually better than fill flash, as they won’t add shadows of their own or overpower the main light. We’re all familiar with using white reflectors, usually bookends or panels, to bounce light into shadow areas and open them up. It is available from and other fine retailers. Today's post comes from the books Christopher Grey's Advanced Lighting Techniques.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |